Le Morte dArthur Essay -- essays research papers

The Chivalric Code in Le Morte d?ArthurAn act of chivalry is set forth as the qualifications or character of the ideal knight. Knights were expected to uphold this code of conduct. In the English literature Le Morte d?Arthur, French for ?The Death of Arthur?, by Sir Thomas Malory, the characters display acts of chivalry from beginning to end. Though the code of chivalry contains many qualities or acts, nevertheless bravery, loyalty, and courtly love are demonstrated more than throughout this literature.Bravery is the mental or moral strength to venture and withstand danger, fear, or difficulty. Fear is what one feels when fighting, knowing that he or she could die. For example, when Sir Mordred and poof Arthur were to fight, Arthur was told that if he fought Mordred, Arthur would die. Regardless, Arthur fought Mordred. Though not stated in the text, one would assume that Arthur had fear of himself dying running through his brain, and that would explain how his adrenaline got pump ed up enough to kill Mordred. Difficulty is going against someone who is more skilled. When the young Sir Gryfflette challenged King Pellinore to a joust to avenge a knight?s death, Gryfflette lost, tho because he went up against a more experienced person, he was demonstrating an act of bravery. The danger of the two is that one can always die in matters such(prenominal) as those.Bravery and loyalty can go hand-in-hand with o...

The Mother Daughter Relationship in The Kitchen Gods Wife Essay

The Mother Daughter Relationship in The Kitchen Gods Wife Relationships stoop peoples thoughts and the way they live their lives. One very important birth is the relationship between parents and their children. Parents are the first teachers of children. The most significant lesson one learns from them is love. When a bilk is first born it instantly will feel love from the mother. A mother loves and nurtures her baby while it is still in her womb making the relationship between a mother and her child difficulter than any other relationship. Only a woman can nurture her baby by using notwithstanding her body. The bond between the mother and daughter is even more intense because they share the same femininity. A mother and daughter can bond handle no other. Girls grow up looking up to their mother and wanting to resemble them when they grow up. Daughters seek their mothers to give them advice when they need help throughout their lives. When a girl is struck with a p roblem the first person she will turn to would be her mother. However some women are un fitting to have strong relationships with their mothers, this can be seen in then novel The Kitchen Gods Wife by Amy Tan. Unfortunately Jiang Weili wasnt able to have a powerful relationship with her mother. Because of her mothers absence Jiang Weili wasnt able to find her own identity and isnt able to have a productive relationship with her daughter. Pearl feels alienated from her mother however, Jiang Weili only believes she is doing the best for her daughter. Pearl and Winnie attempt that the mother daughter relationship is essential for a girl to become a woman. The lack of such a relationship is severely detrimental to a girl growing up. Jiang We... ...gic comedy with a happy ending. The novel is a love story solely not with a male and female but with a mother and her daughter. Work Cited Chapman, Jeff and John D. Jorgenson, eds. Tan, Amy. contemporary Authors Vol.54. Detroi t Gale, 1997. Graham, Judith, ed. Current Biography Yearbook Vol. 1992, New York The H.W Wilson Company, 1993 Gray, Paul. The Joys and Sorrows of Amy Tan. Time Magazine 19 February, 200172-74 Hunter, Jeffery W. and Timothy J. White, eds. Amy Tan 1952- . Contemporary Literary Criticism CLC 120. Farmington Hills Gale, 1999 Kim-Chan, Hyung, ed. Amy Tan (1952- ). Distinguished Asian American Biographical dictionary. Westport Greenwood, 1999. Kramer, Barbara. Amy Tan, author of The Joy Luck Club. Spring Field Enslow, 1996 Tan, Amy. The Kitchen Gods Wife, New York Ivy Books, 1991

Life and Achievements of Henry Ford :: Biography

feeling and Achievements of Henry Ford Henry Ford was born in Dearborn, Michigan, on July 30, 1863. He died on April 7, 1947, in Dearborn. He started his career in employment at the age of 16 as a machinists apprentice. He then began his career as a mechanical engineer with the Edison Illuminating community in 1888 and worked there until 1899. He founded the Ford Motor Company in 1903.He produced his first car, the Quadricycle, in 1896. He had developed this car in his stop snip. He finally adopted a production method that would be used forever after its introduction. In 1913 Ford implemented standardized interchange subject parts and assembly-line techniques in his plant. This method of production is something very relevant to the field of industrial engineering. He was now able to maximize the use of his work aim and increase production of vehicles substantially.Ford introduced his companys most famous development, the Model T, in 1908. In its 19 years of production th ere were 15 million of the car produced. Despite this fact they were not the largest auto manufacturer because of Fords decision to he was too slow in adopting the give of introducing a new model of vehicle each year.Despite this times were not hard at Ford. He was granted a war production contract in 1941, at the start of World War II. His company started off by manufacturing parts for bombers and eventually began to produce the entire airplane. By the time of the wars completion in 1945 Fords assembly lines had successfully produced over 8000 airplanes.Aside from rails an amazing business Ford had another(prenominal) interests, many which were charitable. Ford chartered a peace ship in 1915, in which he an other resembling minded individuals tried to convince the leadership of the countries involved in World War I to stop the war.Life and Achievements of Henry Ford BiographyLife and Achievements of Henry Ford Henry Ford was born in Dearborn, Michigan, on July 30, 1863. He died on April 7, 1947, in Dearborn. He started his career in production at the age of 16 as a machinists apprentice. He then began his career as a mechanical engineer with the Edison Illuminating Company in 1888 and worked there until 1899. He founded the Ford Motor Company in 1903.He produced his first car, the Quadricycle, in 1896. He had developed this car in his spare time. He finally adopted a production method that would be used forever after its introduction. In 1913 Ford implemented standardized symmetrical parts and assembly-line techniques in his plant. This method of production is something very relevant to the field of industrial engineering. He was now able to maximize the use of his work force and increase production of vehicles substantially.Ford introduced his companys most famous development, the Model T, in 1908. In its 19 years of production there were 15 million of the car produced. Despite this fact they were not the largest auto manufacturer because o f Fords decision to he was too slow in adopting the practice of introducing a new model of vehicle each year.Despite this times were not hard at Ford. He was granted a war production contract in 1941, at the start of World War II. His company started off by manufacturing parts for bombers and eventually began to produce the entire airplane. By the time of the wars completion in 1945 Fords assembly lines had successfully produced over 8000 airplanes.Aside from running an amazing business Ford had other interests, many which were charitable. Ford chartered a peace ship in 1915, in which he an other like minded individuals tried to convince the leaders of the countries involved in World War I to stop the war.

Anna Karenina - The Complex Character of Constantine Dmitrich Levin Ess

Anna Karenina - The Complex Character of Constantine Dmitrich Levin In the novel Anna Karenina, written by Leo Tolstoy, both study and minor characters played important roles through break the story. One protagonist, Constantine Dmitrich Levin, caught my interest as being a compassionate, moral character. Constantine Dmitrich Levin is a complex character whose head and in consume characterization emphasizes a search for balance. Constantine Dmitrich Levin, often called Levin or Constantine, later Kostya by Kitty, is a farmer in eighteenth century Russia. He enjoys his hightail it and avoids the city at all costs. He is madly in love with Princess Catherine Alexandrovna Shcherbatskaya, normally called Kitty, but she rejects him in hoping that Count Alexey Kirilich Vronsky, normally named Vronsky, a man who has shown salient interest in her, will propose marriage. Both are discarded but reconcile their feelings and eventually marry. The novel Anna Karenina directl y depicts Levin as a powerfully built, honest worker, who dislikes the immoral views of the aristocracy. Levin enjoys his choice of work in the fields and begins to trust the peasants who assist him in his farming duties. He believes that working outside the cities provide a more noble lifestyle. Levin considers peasants to be more independent that those in urban areas and considers the peasants more morally correct. Seeing the waiters busy over washing up the crockery and setting in order their plates and wine-glasses, seeing their calm and cheerful faces, Levin felt an unexpected sense of relief as though he had come out of a stuffy room into the fresh air (Tolstoy, 695, part 6, chapter 28). Work p... ...her he wishes the peasants to control their lives with self-interests, not by the interests of the government because the general welfare whitethorn not benefit the peasants or him. Of the two protagonists of the novel, Anna Karenin and Constantine Levin, Levin is the one I admire most. Directly depicted as an honest, moral man, Levin is well liked among people he meets and does not try to escape to a fantasy world as Anna did. The novel goes in-depth by indirectly depicting him to be a philosophical idea and an atheist, who is torn apart by his beliefs. The manner Tolstoy describes Levin is appealing, for I admire all of the qualities he possesses and that is why I chose him for my character of study. By using both direct and indirect characterizations, Tolstoy aimed to depict Levin as the role model for Russians in the eighteenth century.

Father-Daughter Relationships in Sidney’s The Countess of Pembroke’s Ar

Father-Daughter Relationships in Sidneys The Countess of Pembrokes Arcadia, Marlowes The Jew of Malta, and Shakespeares The merchant of VeniceJustification for the subjugation of females to males during the sixteenth century came from a variety of sources. Ranging from the mass that God gave Adam authority over Eve as penalty for the fall, to a belief in the superiority of a husbands physical strength over that of his wife, attempts at rationalization of the restricted freedom of women came from every direction.1 Puritan reformers also believed that Eve was Gods gift, given to Adam to consummate and make up his happinesse.1 From this perspective, we can easily make the mental adjustment necessary to embrace the view of women as property that could be given in marriage, taken in battle, exchanged for favours, set as tribute, traded, bought, and sold.2 With this viewpoint in mind, it is interesting to move into a consideration of the father-daughter relationships presented in Sid neys The Countess of Pembrokes Arcadia, Marlowes The Jew of Malta, and Shakespeares The Merchant of Venice to analyse how this viewpoint limited the freedoms of daughters.To begin our exploration of father-daughter relationships in the context of patriarchal control, we must first examine how males viewed and represented daughters within the texts. In The onetime(a) Arcadia, Pyrocles as Cleophila not only praises Philoclea in fragmented body parts (as opposed to a whole person), but also compares these parts to military instruments of war. Her comfortable hair be the shot, the breasts the pikes be / Scouts each motion is, the hands the horsemen and her cannons be her eyes.3 Although this comparison situates Philoclea in the degra... ...53-7.10 Oxford English Dictionary Online11 Singh, 153.12 The Merchant of Venice, III.ii.83-96.13 D. Lucking, Standing for Sacrifice The close in and Trial Scenes in The Merchant of Venice, University of Toronto Quarterly (Spring 1989)355-75, quo ted by J.G. Singh, in A Feminist Companion to Shakespeare, ed. Dympna Callaghan (Malden and Oxford Blackwell Publishers Ltd, 2000), 150.14 The Jew of Malta, II.iii.52-3.15 II.iii.289.16 The previous(a) Arcadia, 101.17 The Old Arcadia, 102.18 The Old Arcadia, 5.19 The Jew of Malta, II.iii.228-232.20 The Jew of Malta, II.iii.304-6.21 The Merchant of Venice, I.ii.22-5. 22 II.v.56-7.23 The Jew of Malta, III.iii.39-42.24 The Jew of Malta, II.iv.1-4.25 The Merchant of Venice, III.i.31-33.26 The Old Arcadia, 360.27 Dusinberre, 124.

Father-Daughter Relationships in Sidney’s The Countess of Pembroke’s Ar

Father-Daughter Relationships in Sidneys The Countess of Pembrokes Arcadia, Marlowes The Jew of Malta, and Shakespeares The Merchant of VeniceJustification for the subjugation of females to males during the one-sixteenth century came from a variety of sources. Ranging from the view that God gave Adam authority over Eve as penalty for the fall, to a belief in the favourable position of a husbands physical strength over that of his wife, attempts at rationalization of the restricted freedom of women came from every direction.1 Puritan reformers also believed that Eve was Gods gift, given up to Adam to consummate and make up his happinesse.1 From this perspective, we can easily make the mental adjustment necessary to embrace the view of women as property that could be given in marriage, taken in battle, exchanged for favours, set as tri howevere, traded, bought, and sold.2 With this viewpoint in mind, it is interesting to move into a consideration of the father-daughter relations hips presented in Sidneys The Countess of Pembrokes Arcadia, Marlowes The Jew of Malta, and Shakespeares The Merchant of Venice to analyse how this viewpoint limited the freedoms of daughters.To begin our exploration of father-daughter relationships in the context of patriarchal control, we must first regard how males viewed and represented daughters within the texts. In The gray-haired Arcadia, Pyrocles as Cleophila not only praises Philoclea in fragmented body parts (as opposed to a whole person), but also compares these parts to military instruments of war. Her loose hair be the shot, the breasts the pikes be / Scouts each motion is, the hands the horsemen and her cannons be her eyes.3 Although this comparison situates Philoclea in the degra... ...53-7.10 Oxford English vocabulary Online11 Singh, 153.12 The Merchant of Venice, III.ii.83-96.13 D. Lucking, Standing for Sacrifice The Casket and Trial Scenes in The Merchant of Venice, University of Toronto Quarterly (Spring 198 9)355-75, quoted by J.G. Singh, in A Feminist Companion to Shakespeare, ed. Dympna Callaghan (Malden and Oxford Blackwell Publishers Ltd, 2000), 150.14 The Jew of Malta, II.iii.52-3.15 II.iii.289.16 The Old Arcadia, 101.17 The Old Arcadia, 102.18 The Old Arcadia, 5.19 The Jew of Malta, II.iii.228-232.20 The Jew of Malta, II.iii.304-6.21 The Merchant of Venice, I.ii.22-5. 22 II.v.56-7.23 The Jew of Malta, III.iii.39-42.24 The Jew of Malta, II.iv.1-4.25 The Merchant of Venice, III.i.31-33.26 The Old Arcadia, 360.27 Dusinberre, 124.